Adding depth and interest to your choreography is simple, but it is not easy. I think each participant at last Saturday’s choreography workshop with Marlita Hill in Pasadena would echo that sentiment.
Going into the workshop, Marlita assured that we would learn how to turn simple movements into creative phrases that fill the space, song, and stage and communicate God’s heart. She also said we would learn how to communicate our choreography to others so that they can easily and effectively follow. We did both of those things.
Marlita walked us through a series of exercises that taught a slice of Laban’s Analysis of Movement in a way that was simpler than anything else I’ve heard before. It made complex choreography teaching accessible. But it was not easy.
We worked hard. Each exercise called us to work harder, dig deeper, and stretch further. The results were very satisfying. Each of us walked away having choreographed a short dance that told a story about who we are.
In addition, one of us had the opportunity to teach her dance to the rest of us. Marlita coached her on how to teach dancers to turn (Who among us hasn’t asked our students to turn, and then stepped back and watched the turns go in varying directions, losing our unity at that point?), travel, and replicate timing in a way that preserved the integrity of the dance and the team unity.
So, thank you to those who prayed for this workshop. We felt your prayers and they were effective. And thank you to each woman who participated, who took risks, dug deeper, and shared their movements with us.
Watch this 3-minute video recap. Just watching this short clip, you’ll get ideas for how to take your own simple movements and add depth, interest, and power.